Kiruna
Kiruna is a town of about 25000 in Swedish Lapland that lies well within the arctic circle. It's a mining town but attracts a lot of attention from outsiders as well. The impression that it leaves can't easily be put into words, but undeniably it's one of the most visually extreme places in the world. We arrived at one in the afternoon as evening was rolling in, closing off their two hours of daylight (this itself a pale evening). Immediately impressive was the sheer amount of snow, impossible to imagine, that encases everything there. The branches of tree carry mounds of snow and a fan-like, broad-crystalled frost that runs the entire length of the trunk. The place felt like something that shouldn't possibly exist in reality - there was an aspect of it that felt, for an outsider at least, purely imaginative.
The mountains from the plane:

At Kiruna airport:

We arrived under a full moon and an utterly clear sky. During the night, the combination of moon and snow made for a lovely, pale world, especially when we were in the forest.

The forest from a distance:

That night, we went out dogsledding, in roughly 25 below, celsius, -13 fahrenheit. Our guide was a pleasantly gruff Swedish man generally disinclined to speak but, when asked about sledding, was perfectly willing to offer anecdotes about the various races he'd ranked in. I really liked him. As for the dogsledding itself, I'd been apprehensive but it proved a pretty tight operation and certainly a new experience. The guide seemed used to slinging tourists about and treated us sort of like baggage, in a nice and blunt way.
Day two:
A cloudy day. It snowed for the next twenty four hours and the cloud cover darkened the day further. A ski tour, sweet but far from strenuous. Below, pine branches.

Forest on the hill.

On the ski trail.

Mamasita and Emmalinda.

Inside the warming hut.

More forest...

The third day we headed out on a snowshoe trip and were lucky to be the first on the trail, broke downhill past a quarry in the half-light and bent around a stubby, bald hill, then through some pine woods and further up hill until we lost the trail and then headed back. Walking around in the woods, one feels complete immersion in the surroundings. My sister spotted a large bird land on a hillside and when it passed over us again, we could see it was a raven. The actual sight of the black bird passing across a numb, grey-white sky makes one understand, on a purely impressionistic level, why it appears in the pantheon of almost every arctic indigenous culture. Anything that disturbs the stillness and whiteness registers so strongly.
So, home we went that afternoon. Upon landing alongside the damp, snowless Uppland forest, I felt a pang of familiarity. I don't know if I could live a functional life here, but this is definitely my home in a way outside of society. Particularly as I've begun to think about folklore and the oral/narrative history of the area, I've become close to it in a highly imaginative and very personal way. Although the notion of simply returning to the states has now shifted from unpleasant to frightening, I'm far more frightened of loosing the many inspirations I've taken from this place, whether it be specific ideas of the general sense of indepence, control and happiness that I've felt in being here. Although I'll give myself time to bitch and moan, I don't want my desire to be back in Sweden to turn into something that hinders from me remembering the things I'm taking from the experience.
In any event, more frivolous airplane photography: